My "Classroom" Work Space

I cleared out my sewing area in my craft room and re-designated it as my makeup area. Although, this area will continue to be re-designated over the next few months. But I figured it was better to have one permanent place that served one purpose at a time, rather than one area that had a random assortment of "craft stuff."

Since I don't have that much right now, I keep most of what I own on the desk. I picked up a few cute bowls from the dollar store and use one for small eye shadows, one for blushes and bronzers, and one for lipsticks. I lined an old chocolate gift box with pretty paper and use it to store my liquid foundations, concealers, primers etc.






I pretty much re-purposed containers from all over the house, including an old shot glass that was perfect for q-tips. My brushes keep moving from my roll out case to a cup because I can't decide how I want them yet. I keep extra sponges, wipes, makeup remover, tissues, and disposable items in the shelves of the desk, along with my makeup case, and a scrapbook carrier that I also use for storage.


I set up a mirror behind the desk and stole one of my husband's clamp lights that I attached to the top of the mirror. I would love to use natural light, but I work during the day, so I have to practice at night. I read that lighting that is too cold will lead you to over apply, but if the light is too warm, you will think you look great when you don't. (You know you've been there, getting into you car and seeing a line or a streak you couldn't see in your bathroom.) Luckily he helped me pick out a natural light bulb from his collection.

I was going to add two smaller clamp lights on the side, but apparently Home Depot decided they are not safe and doesn't carry them anymore! The lighting I know is not perfect. I can't always see what I am doing perfectly, and sometimes it is a real problem for pictures. But this is where I have been practicing and I hope that as I keep working and develop a better sense of what I need, I can make adjustments as needed.

Committing

Committing to a project, piece of cake! Committing to a look, well that's a bit trickier. I think part of the reason it is so hard to commit and just go for it, is because when you are working on your own face, it's really hard to stay objective. Not every look is right for every face, and when you know a look is so wrong on you, its hard to keep working and really commit for the sake of practicing.

I've been working backstage on "Chicago" with the Torrance Theatre Company, so I was inspired to try a 1920s look.

Here is the image from Glamour Daze that I used for inspiration. Below that, is what I ended up with.

Glamour Daze


I like how glowy my skin looks and I think it's a pretty look, but it's not what I was going for at all. I tried a much darker eye and sloped my brow down, but you can barely see either in this picture. I could blame the photographer (me) but really it was my inability to commit to a look that wasn't exactly "pretty." I washed it all off and resolved to try again, and not let my personal aesthetic get in the way. But I had to commit, and take it much further than I was actually comfortable with.




In stepped Clara Bow as my new inspiration. She had the 1920s look I wanted, but was too afraid to try the first time. Not pretty, but beautiful in its boldness. (NNDB)

So here is my version of Clara Bow. It wasn't intended to be an exact replica, just a way to push beyond my comfort zone. I used glue and powder to block out my eyebrows this time, so I could draw on a sloping brow. I made sure to darken the inside of my eyes to really drop the eye and went for the full cupid lip. My blending around my brows was not great and my lips could have been a little sharper. I also had a hard time lighting my face properly. But overall, I was much happier with this look because I stepped out of my comfort zone. It doesn't have to be perfect the first time, I just have to do it. The bold, the grotesque, even the ugly is not something to be feared. It is only makeup after all...it always washes off.

Trip to Philly and Browsing Magazines

I took a few days off to attend a friend's wedding in Philadelphia. The bride was beautiful as always, and it was amazing getting to see old college friends. The humidity was not nearly as bad as I anticipated, but still worse than I would have liked. Living in LA, I very rarely have to worry about the humidity so my personal makeup choices generally don't take humidity into account. However, I would like to find a few new products that can withstand the heat, especially heat from professional lights. Bright lights don't really make things humid, but they sure do make it hot and sweaty. "How to avoid the makeup melt" will now be adding to my makeup curriculum.

On our flight home, I had a chance to browse through the September issue of Glamour. I flipped through with new eyes this time. I wasn't looking for clothes I can't afford or even a standard of beauty I couldn't personally achieve. I was looking for makeup trends and looks to try. I flipped through slowly, evaluating each face and paying particular attention to highlighting and contouring. I was looking at blush placement and color combination. I dog-eared my favorite looks, some bold and some very natural, like this beautiful coral lip on Selena Gomez.



(Glamour.com)

I never once felt envious, only creative and excited to get home and get started. Good thing I already have this little guy (NP gloss in Tangerine Slice). Now I just need a nice coral lipstick to go on the bottom.

Photo Shoot Tests

We spent most of last Sunday at a park called, La Tierra de la Culebra. It's a tiny little park in Highland Park, but it has a great arts vibe.


A friend and I are planning a hair and makeup "Test for Print" shoot next month. We spent the day scouting locations and taking a couple test shots. Thank goodness our photographer came along, because I am useless with a camera. Here are just a few samples.

I am excited to see what this becomes, once we add hair, makeup, wardrobe and a few bounce boards to the our shoot. Stay tuned for uploads from the actual shoot.

Using Color to Create Symmetry

This is the first dreaded "No Makeup" test shot.
My face is clearly not that of a model, nor of an actress. I do not have amazing bone structure nor do I have perfect symmetry. One eye is slightly smaller and a little droopy, my nose is slightly crooked, and I have Vitiligo (absence of melanin) which affects the left side of my face mostly around my eye, but also my cheek area. When you practice makeup on yourself, you tend to notice these things a lot. Even so, with all my flaws, I like my face and it's a canvass all the same.

I have learned to appreciate the things I do have. I have really clear skin, and I have never had to deal with acne. That is also probably why I fell into makeup late. While everyone else fussed over covering blemishes, I used to pop on a little gloss and and maybe the occasional smokey eye for parties. It was not until a few years ago when I developed Vitiligo that I started looking for ways to cover it. The truth is, no one is perfect. Everyone has hangups about tiny little imperfections that in reality no one notices or cares about at all. That's why I like working on faces, because I am reminded that everyone is imperfect. My job isn't to mask that, rather to smooth out those imperfections so people can focus on your best features.

That being said, the following picture is my own face corrected for symmetry. I went in with a darker foundation color to thin my face a bit and used a bit to contour my face a bit. (Kandee Johnson had a great video on this). I didn't spend too much time on this part, because the real focus was straightening my nose and a bit of work on my left eye. ( I didn't work out all of the symmetry in my eye, my eye brows or my lips).

I used the same principles of contouring on my nose. I added darker foundation along the sides. I used my right side as my standard, and duplicated the shadows I saw on that side onto my left side. I went back in with a really light concealer stick and highlighted down the center of my nose. It is definitely a little straighter and narrower. Could I do this every day? Sure, but luckily, I am not a model so I don't have to. I'm not trying to fool anyone into thinking my face is perfectly symmetrical. I'll keep working on it though for the sake of learning it. Because while I may not need to do this for myself, symmetry on screen and in photographs does matter.